The Project48 Machinima FAQ 2012

The Project48 Machinima FAQ 2012:

It's your chance to stop talking and start filming! The premise? Filmmaking teams have just one weekend to make a short film. All creativity—writing, shooting, editing and adding a musical soundtrack—must occur in a 48 hour window beginning Friday evening at 7 and ending Sunday at 7. The following week, the completed films are screened to an eager audience.

The Machinima contest 2012 will have 3 timezones: Australia, USA and Europe.

Where do I register for the 48HFPmachinima?
Go HERE to register

How much does it cost?
The registration fee is for the entire team. For the Machinima 48HFP, the registration fee is 48 Australian dollars.


When will the 48Machinima competiton begin in 2012.
The dates for 48Machinima can be found at http://www.48machinima.com and http://www.48hourfilm.com/machinima/

What are the films about?
That's up to the filmmaker; however, each team must select the genre for its movie in a random drawing 15 minutes before the start of the competition. In 2012 there are 14 genres, including comedy, horror, romance, sci fi, mockumentary, and musical or western. In addition, teams are given a character, a prop and a line of dialogue that must appear in their film.

Who sees the films?
The films screen to sold-out audiences in every city we've visited. Of course the filmmakers, actors, family and friends are there to enthusiastically support the premiere of the weekend's work. But also supporters of the local film community, and discriminating viewers who want to see something new—something raw and alive—are there to feel the creative energy.
Winners of the city contest are distributed on a "Best Of" 48 Hour Film DVD, which you can buy here. They are also screened at major film festivals.
The winning films from 2003 were screened at South by Southwest in Austin. The winning films from 2006 screened at our own Filmapalooza in Albuquerque. The winning films from 2004, 2005, and 2007 were screened at Cinequest in San Jose. The winning films from 2009 were screened at NAB Show. The winning films from 2008 and 2010 were screened at the Miami International Film Festival. In 2007, 2008, 2009, and 2010, we have had a selection of films screened at the Cannes Film Festival in France, and our films have been featured in many other festivals.

In 2012, machinima films will be screened at Casula Powerhouse Arts Center in Sydney, and streamed online in Second Life and other online platforms.

Who are the filmmakers?
The 48 Hour Film Project is open to all filmmakers, pro and novice alike. Rules state that all team members (crew and cast) must be volunteers. Most teams consist of film and video professionals. And teams have attracted some top talent on both sides of the camera. Martin Freeman, Penn of Penn and Teller, Dennis Farina, and Nick Clooney have all appeared in 48HFP films. Is this the year for the next Meryl Streep?

How long are the films?
The films are short; they must be a minimum of 3 minutes and a maximum of 5 minutes long. Short is good. Not only are shorter films tighter and usually more interesting, they are more marketable.

Where and when are they shown?
On the first few weeks following the competition deadline, the movies are screened at a grand premiere in a local movie theater. A guaranteed standing-room-only audience of tired, excited filmmakers, crews and friends are in attendance to cheer on the films. The winning films go on to Filmapalooza, our international screening and awards weekend.
Machinima will be screened in Sydney at the Casula Powerhouse Arts Centre on the big screens, and online in Second Life.

What cities has the 48 Hour Film Project visited?
The project began in Washington, DC in 2001, and in 2010 we visited 80 cities. In 2012, we’ll be in even more places. (See all of our cities here.) Filmmakers just can’t get enough of the 48HFP!
Machinima was included as a city in 2007. So this is its 6th year. Previous winners came from Moviestorm, Second Life and World of Warcraft.

How is the event advertised?
The event is advertised by word of mouth, on the web, and via local press. Local filmmakers and organizations are our most vocal supporters and do a great job spreading the word. In each city, the 48 Hour Film Project has generated considerable interest from local and international title of Best Film of the 2012 48 Hour Film Project.

What should I do with my film after the 48HFP?
Get it out there! For more information on how to do that while abiding by the Team Leader’s Agreement, read this page.

May I show a modified version of my 48HFP film?
Yes, presuming that the showing adheres to the Team Leader’s Agreement that you signed when entering the 48HFP. If it is a modified version of a 48HFP film, please include a title card and a mention in the end credits that say:
“The concept for this film developed during the 48 Hour Film Project. www.48hourfilm.com”

Is this a contest and will there be a “Best of” selection?
Yes and yes. One film in each city will be chosen “Best of City”. All “Best of City” films will compete for the international title of 48 Hour Film of the Year.

What are the prizes?
Each city winner will receive our special trophy, and go on to represent their city in the finals. More prizes are detailed on our prize page.
The machinima winner takes 3,000 Australian dollars.

Will I win?
Depends on what you mean by winning. Countless filmmakers over the years have told us that the 48 Hour Film Project weekend was fantastic. They loved getting to use their creative talents; they had fun with their friends; and they made a film, too! So if winning means having a great time, you’ve got a very good shot at it.
There were over 3,000 entries in 2010 and we gave out more than 800 awards. There were 80 city winners…and only one grand prize. There are even more entries this year. So if winning means getting that grand prize, you’ve got your work cut out for you. But don’t let that discourage you—you can do it!

Will I get rich?
Probably not. As far as we know, no one has made much money selling a 48HFP film. However, some of our filmmakers have had success with their films in other festivals including SXSW; one team won a $100K filmmaking package at a festival; and filmmakers have used recognition of their 48HFP film to get paying work. Additionally, we at the 48HFP have set up an arrangement whereby if we’re able to earn money by distributing your film, you will receive a portion of that money. We believe our arrangement is fair and equitable. As you may know, the market for short films is nearly non-existent. However, we do garner more interest in our films because of the 48-hour concept and the fact that they are part of a bigger collection. So, while folks have lots of fun doing the 48HFP, they don’t make lots of money.

Who judges the films?
In each city we gather film and video professionals to serve as our judges.
These judges generally have extensive experience within the field. We require these judges to be fair and impartial. Our judges donate their time and talent to select the top film in each city. In addition to determining the city winner they also select a number of other awards. The judges on the international level have included actors such as Julianne Moore, directors such as Simon West (Con Air), and editors such as Thelma Schoonmaker (Raging Bull, The Departed).

For machinima, judges were: Tony Dyson, Peter Greenaway, Phaylen Fairchild, Trace Sanderson, Tracy Harwood, Tom Jantol, Marcus Parker-Rhodes.
But no matter how careful we are in selecting our judges, judging itself is extremely subjective. So many times, two regarded critics feel markedly differently about the same film—remember the long debate between Gene Siskel and Roger Ebert about Apocalypse Now; remember Pauline Kael’s ambivalent review of Star Wars. Similarly, on many occasions our favorite 48HFP film of the year has not even won its city. When it comes to evaluating art, a lot comes down to matters of taste.

Does the maximum length of the film include credits?
No. Your film may be 5 minutes long plus 1 minute of credits.

Are credits in the beginning permissible and do they count against the credit time limit?
Opening credits are allowed and do not count against the credit time limit. However, they do count against the five minutes of film. Remember, the audience is here to watch, not read.

Are we allowed to have footage under our closing credits?
Yes, however, the narrative must end before the closing credits begin. So outtakes, Ferris-Bueller-like antics, or bonus scenes are allowed. But if we removed the credits, the movie should still feel complete.

Is there a list of accepted virtual worlds?
Any virtual-reality platform in which you shoot footage in real-time, and allows you to do so according to their TOS, is acceptable. (think: WoW, HOME, Second Life, Moviestorm, The Movies, iClone- and many more)

Can we mix footage from different virtual worlds?
Sure!

Are we allowed to use footage created from 3D animation programs, like Blender or Poser?
No, 3D animation programs—that is, anything that creates 3D footage not in real-time—are not allowed.

How many teams will be allowed to participate?
There is no limit.

Where will the Kickoff take place?
We are holding the Kickoff in Second Life, online. Second Life is free, download and create your avatar here.

Can we test connection speed on your FTP server?
Yes. We will send the connection information to the teamleaders.

Can we send a small test machinima so that you can acknowledge that our combinations of codec, resolution, and settings is correct for the contest?
Yes, we will ask all of the teams to do this, usually on the Monday before the contest.

What formats, codecs, resolutions, and compressions settings are accepted?
Your submission must be in the following format:
• Quicktime or AVI (Quicktime is preferred)
• Self-contained (that is, without references or links to other movie files)
• At least 720 pixels wide (bigger is accepted, like 1280 x 720 or 1920 x 1080)
• A 16:9 aspect ratio
• Your films will be screened at Casula Powerhouse Arts Centre in Sydney, Australia, therefore format of films to be supplied is: 25 fps for PAL
• If you’re using Quicktime, you must use the H.264 or Sorenson 3 codec.
• If you’re using AVI, you must use the Cinepak or DivX codec.
• No DVD’s or tapes – submission by FTP only
* We allow Mp4 - but it is up to you to make it high quality. Winning team might be asked to encode in higher quality, after the contest.

I know that stock film and video footage is prohibited, except as part of a special effects filter. What about stock photos?
If you have the rights to them, then stock photos are permitted. In other words, you may use photos not taken during the 48 hour time period.

Does every team member have to sign the Team Leader’s Agreement?
No, only the team leader needs to sign it (and upload it before the Kickoff). However, everyone must sign the Liability Waiver form. See the documents page for more details.

I was looking at the Wrap Up Form, and I’m still not sure what a logline is. Can you tell me more?
Read more about loglines here.

May we use SAG performers in our film?
Yes, but more paperwork is required. See the SAG page for more details.

We want to use public domain or royalty-free music or photographs. What do we do about the Music Release or the Materials Release Form?
Have the person who has the rights to the music or materials sign the release form. In the case of royalty-free materials, this is the person who purchased them. In the case of public domain materials, this could be anyone on the team. Please also include documentation that shows your rights to the music or materials, such as a license, a purchase receipt, or a statement by the author.
Note: You may only use materials if the license granted to you allows for all forms of distribution.

If the "required character" is audible off screen—like on the other end of a phone conversation—does that count?
No, we must actually see the required character in some way on the screen. Remember, he/she need not be the star of the film, just make an appearance.

Does the required character have to say his name or wear a name tag?
As long as the audience can infer who the character is, he/she doesn't need to be further identified.

MoM September 2011 - here are the films

8 films are part of Month Of Machinima September 2011 (theme was: Seasons).

The opening event was September 7, 2011 - and it was even more fun this month.
Many came to see the films, and for the first time we had L1aura Loire interviewing the filmers between the showing of the machinima's. That certainly added to the event, and many questions came from the audience. L1 and myself did a joined presentation, and the event was filmed - stay tuned for a small impression that will be hosted on MoM You Tube account asap.

A unique service that MoM provides to Second Life residents that visit the theater, is that watching the films is enabled in all viewers. This service is provided by AviewTV, thanks to Lapiscean Liberty.All films show on their website, too!


Theme for Oktober is: four elements. (be creative, think art...)
Somebody in the crowd mentioned 4 elephants --- well, we dare you!



Submit your films here (deadline is the 15th)




As LEA (Linden Endowment for the Arts) we are proud to announce that there now is a machinima sim available to the filmers that submit their films to MoM.
The Machinima sim (set to adult) is hosting 8 studio’s, and these will be randomly appointed amongst each months submissions, (we trow numbers in a hat and make a draw). Your film does not have to be chosen for showcasing in MoM to be part of this, all entries in MoM have an equal chance to get a monthly plot.
Plots are assigned for one month. The filmer that gets a plot is responsible for their plot, which beholds 1000 prims per studio, and for good neighbourly behavior. LEA/MoM members will have the right to end the use of a studio before the end of the assigned period.


These are the films showcasing in MoM September 2011:


Chaffrro Schoonmaker - Unknowable Isles
Ian Pahute – All You Need Is Now
Hunk Hausner - Curves
Bleu Oleander – A Pesto For All Seasons
Chic Aeon – Nature of Elements
Pooky Amsterdam – Why Now? Diversity Tolerance Footprint
Rafale Kamachi – Love me Tender
Iono Allen – Visualizing Theorem at UTSA


MoM has it s own YouTube account and playlist.
Soon after the openingsceremony the machinima’s will be included on the MoM YouTube playlist, on AviewTV.com.

Please visit our new blog

Filmers that submitted their work for MMIF 2011

MMIF 2011 - 75 filmmakers submitted.

Together they made 69 machinima's. I am now revealing the names of the filmers, who's work is being reviewed by the MMIF screening committee right now - and will reveal more on monday June 13.

Next week all entrants will receive an email, with information about times when their films are screened, which playlist they will go on, and more.

I will reveal new information every day, on this blog and on MMIG.org

Al Perez, Anankhai Sodwind, Akanjee Yongho, Ambrosia Langly, Anima Technica, Bay Sweetwater, Draxtor Despres, Bryn Oh, Cecil Hirvi, Kate Zeminoba, Sergio Querilo, Cisko Vandeverre, Luca van Grinsven, Graham Fitzgerald, Rohan Fermi, Waresh Londen, Scout Kestrel, Dulci, Eddie Duggan, Eric Boccara, Liz Solo, Evie Fairchild, Almo Schumann, Rose Borchovsky, Faires Rivers, Fuschsia Nightfire, Miles Eleventhauer, Gypsy Quixote, NefariousGuy Mainline, Hypatia Pickens, Ice Axe, Ian Pahute, Iono Allen, Jakechief, Chaffro Schoonmaker, jjccc Art, Judy Lee, Kolor Fall, Lainy Voom, Larkworthy Antfarm, Lasopantomik Yao, Laurina Hawks, Lorris Rizzo, L1Aura Loire, Pia Klaar, Marx Catteneo, MSCybertar, Marianne McCahn, Arm Strom, Mary Wickentower, NicoleX Moonwall, Nitwacket, Oscar Wagenmans, Osprey Therian, Paradise Quixote, Kibishipaul, Phaylen Fairchild, Pooky Amsterdam, Russel Boyd, James Canton, Pyewacket Kazyanenko, rgr Ampan, Pine Martinek, Saveme oh, Arahan Claveau, Spiral Silverstar, Helen Fermate, Suzy Yue, Tikaf Viper, Tom Jantol, Toxic Menges, Tutsy Navarathna, Verissimus Seetan, Zachary Kaye, Chantal Harvey.

Pop Art Lab - machinima contest

After Claus Uriza's wonderful help at MMIF2010 - his team did build the MMIF-venue on the 4 sims - he came to me and asked if I would be a member of jury for the special themed machinima contest he started up.
How could I say no to Claus, and his effort to preserve the Pop Art builds - that so resemble the MMIF builds....

Well today is the last day of this Second Life contest, and the films keep pooring in as he ensures me.
It will be a hard task, thankfully I am not the only member of jury. (Jeska Linden, Claus Uriza and Lisbeth Frolunde, Chantal Harvey).

Submitted films so far:
http://www.popartlab.com/category/news/

There is only one price....100,000 lindendollars.

Atopic Festival 2009 - grande succes

I was more then pleased to hear that my machinima "The body is Obsolete" has won one of the 3 audience awards at the Atopic Festival in Paris.

This festival showed how machinima is contributing to the world. More then 5000 visitors attended, and the private evening dedicated to Machinima of November 2nd in the Geode was a success. 350 persons attended the projection of the Machinima ‘VolaVola " of Berardo Carboni and 3 films selected by the public and the selection committee : L'Hôtel of Benjamin Nuel, Clockwork of Ian Friar, The Body is Obsolete of Chantal Harvey.

A good media coverage allowed to inform a wide international public (the press review is in progress). Soon the pictures and videos of the festival will be shown on this website http://www.atopicfestival.com

The Human Atopic Space association, the organizer and the producer of the Atopic Festival 2009, continues its missions of production, diffusion and artists accompaniment.

For more information about the association: http://www.humanatopicspace.com

The exploration of the virtual worlds continues. Atopic 2010 will be an exhibition, performances, conferences and Machinima film festival !
It was an honour and a pleasure to be part of this, will most definate visit in 2010.