MACHINIMA 2010 REQUIRED ELEMENTS
Character
Jackie or Jack Schmidt
Journalist
Prop
Water
Line of Dialogue
“There is one thing I can do that you can’t.”
The teams and the genres they drew:
Horror - Machinimatrix
Film noir - Grey Matter Films
Road movie - Jewell Theatre
Sci fi - WarTechnica
Buddy film - IdeaJuice Studios
Silent film - Fluent Media Productions
Romance - Metaverse Television
Fantasy - NicolleX Group
Musical or western - Tough Question
Film de femme - Running Ladies Productions
Romance - Ninja Bandits
Buddy film - Sound’r
Film de femme - Moondust Films
Sci fi - In Limbo
Mockumentary - Rediculous Sandwich Studios
Musical or western - Dream Machine
Drama - Insomaniacs
Horror - Stone Falcon Productions
Dark Comedy - Kamachina Productions
Time Travel or Doppelganger - M4SK22
Time Travel or Doppelganger - Machinimart
Saturday, September 18, 2010
Friday, September 17, 2010
Machinima Filmmakers Take to the Streets
This weekend, 300 filmmakers from Machinima are making films in the 48 Hour Film Project! These films will screen at the UWA-Bosl Theater in Second Life.
Here are some important notes for the machinimatographers:

There are still a few slots available in the Machinima 48HFP. Sign up your team here:
Register for Machinima now!
The KICKOFF is: September 17, at 6 pm Pacific time.

22 Teams, 300 people from many countries all over the world, will engage in a wild, sleepless weekend, during which they will make a movie ---- write, shoot, edit and score it. From scratch. In 48 hours.

After the weekend, while the teams catch up on sleep and food .... the 48HFP Machinima Jury goes to work. Our jury is:
* Peter Greenaway
* Dr. Tracy Harwood
* Phaylen Fairchild
* Tom Jantol
So, stay tuned, follow the teams and come to the screening event on the 23rd of September - at 1pm and 7pm Pacific time, in Second Life - see the films, meet the teams, and listen to the jury.
Our sponsors are:



Here are some important notes for the machinimatographers:
There are still a few slots available in the Machinima 48HFP. Sign up your team here:
Register for Machinima now!
The KICKOFF is: September 17, at 6 pm Pacific time.
22 Teams, 300 people from many countries all over the world, will engage in a wild, sleepless weekend, during which they will make a movie ---- write, shoot, edit and score it. From scratch. In 48 hours.
After the weekend, while the teams catch up on sleep and food .... the 48HFP Machinima Jury goes to work. Our jury is:
* Peter Greenaway
* Dr. Tracy Harwood
* Phaylen Fairchild
* Tom Jantol
So, stay tuned, follow the teams and come to the screening event on the 23rd of September - at 1pm and 7pm Pacific time, in Second Life - see the films, meet the teams, and listen to the jury.
Our sponsors are:



Thursday, September 16, 2010
Meet & Greet 48HFPmachinima on September 14, 2010

Some Q & A from the meet & greet:
*Winner last year was?
2009: Ring of False God http://www.youtube.com/watch?v=pGl8t2fUnBk
By Matthew Hahn and Jorge Campos

Interview with Maththew Hahn, last years winner: http://www.youtube.com/watch?v=at1lwb4RfM0
*How do I join the 48HFP Second Life group?
Send me a message when you see me online (or email) and i will invite you in.
*Do people have to sign their rl names on the paperwork?
Yes. I offer people a direct line to me, if they dont want their teamleader to see their rl details, email to me but the responsibility lies with the teamleader always.
*Are all events in this theater/location?
Yes
* theres a nose coming out of my ear please get a pic quick!
OK. (AnimaTechnica Umbarundu: hi flimsey, seeing as either i am sitting on you or you are sitting on me, might as well be friends.)

*To view films here, what do i do?
Get the latest quicktime, and go into your preferences and stop automatic streaming music and film. Enable voice. Ask Chantal Harvey for help, later.
Click the player icon on your taskbar to start a film. Do NOT click the screen itself.
*How are the films shown?
We work with AviewTV, which is Lapiscean Liberty's wonderful magic for the 48HFPmachinima 2010.
*How do i get rid of the nametags above the avatars?
In windows: control, alt and F1 --->will toggle them off and back on again
On a Mac: command, alt and F1
*should i film in 1280x720?
That is a wise thing to do. 720p is the standard format. Upload a test....
*what if my testfile takes a long time to upload, what can I do?
Encode it - it has to be encoded with H264 or sorenson for MOV , cinepak or DivX for AVI
test test test....
(create a one minute test film.. look at the file size after.. if it's bigger than 20 or 30 MB you aren't encoding it)
*Will there be more then 1 runner up?
No.
*Starting the upload at 7.30pm is not enough, it has to be IN at 7.30pm?
YES
*When we ask for a wildcard, must we use that or can we go back to the original drawn genre?
No. And, wildcards are handed out after the teams get their stuff, so you will have to wait till last.
*How is the draw done?
I make numbered envelopes, and teamleader (or assistent) calls a number.....If all teamleaders are there, I could hand out notecards.
*Can I make more then one film?
No.
*Can there be swear words or smoking?
Hmmm. Use your judgement, (or beeps), no sex, jury might or might not like it. Be careful.
*Can you clarify which form an actor needs to sign, which one a musical scorer needs to sign or does everybody sign all?
Waiver and release. All to be found on website and in my information email.
*What if I compose the music myself, do I sign myself?
Yes.
*How about creative commons for music?
It depends on the license. The 48HFP license is incompatible with the CC lisence, as submitting an entry to the 48HFPcontest restricts where it can be shown (at least the first year) so it is incompatible with CC. You cannot use:use and share alike. On the other hand, you can use CC lisence that allows for commercial use.
Mewsic Bing: I really suggest you do read through all the information on the 48 hour film project website, it may be dry but it does answer all your questions and more importantly you won't get any surprises when it's too late, you will not have the time to read up on this stuff once the project has started, (and if you do you're not trying hard enough ;) )
Thank you, Mewsic Bing :-D
People offer their music to the teams at this point.
***LANCE Rembrandt: http://www.blogger.com/LANCE@LANCEsongs.com i have tons of orginal scores and music and full songs
***I also have a music archive that anyone can take from lizsolo Mathilde: :): http://www.lizsolo.com/secret.html - still fixing my code, but lots there
*** Slim Warrior also offers music for the 48HFPmachinima, contact her.
*Do I still own my film after entering it?
Of course. You are giving rights to the 48HFP for a limited period. Please check the rules on the website. Because the 48HFP is constantly working on distribution outlets for the films, especially in the first year, our Team Leader's Agreement does restrict what you can do and when you can do it. http://www.48hourfilm.com/filmmakers/afterthe48.php
Do NOT put your film anywhere online before the screening on September 23, 2010.
*Rehab afterwards?
How about a great big afterparty at this location?
*Is there a list of what the genres might be?
http://48hourfilm.com/filmmakers/genres.php
*What is buddy film?
All the genres can be googled...please do, I stongly recommend. http://en.wikipedia.org/wiki/Buddy_film
*Is there a grace period if you don't make the dead-line due to weather?
no..
Films have to be on our server at 7.30 pm, pacific time, September 19th. Films that are uploaded late, will still be screened, but won't enter the contest.
Labels:
2010,
48 Hour Film Project machinima,
48HFP,
aviewtv,
contest,
machinima,
Mamachinima,
teams
Monday, September 13, 2010
20 teams in 48HFPmachinima 2010
Registered Teams:
Dream Machine, Liz Solo
fluent media productions, Flimsey Freenote
Grey Matter Films, Penumbra Carter
Ideajuice Studios, Peter Patterson
In Limbo, Rollo Girando
Insomaniacs, MATTHEW HAHN
Jewell Theatre, Fake Jewell
Kamachinima Production, Ariane Dupleich
M4SK 22, David Moss
Machinimart, Gabe Salgado
Machinimatrix, Hussayn Dabbous
Metaverse Television, Dousa Dragonash
Moondust Films, Levio Serenity
NicoleX Group, NicoleX Moonwall
Pookymedia, Pooky Amsterdam
Rediculous Sandwich Studios, John Navilliat
Running Lady Productions and Suzy's..., K. DaVette See
Sound'r, Andre Engelhardt
Stone Falcon Productions, Jun Falkenstein
War Technica, Gabe Achanzar
Dream Machine, Liz Solo
fluent media productions, Flimsey Freenote
Grey Matter Films, Penumbra Carter
Ideajuice Studios, Peter Patterson
In Limbo, Rollo Girando
Insomaniacs, MATTHEW HAHN
Jewell Theatre, Fake Jewell
Kamachinima Production, Ariane Dupleich
M4SK 22, David Moss
Machinimart, Gabe Salgado
Machinimatrix, Hussayn Dabbous
Metaverse Television, Dousa Dragonash
Moondust Films, Levio Serenity
NicoleX Group, NicoleX Moonwall
Pookymedia, Pooky Amsterdam
Rediculous Sandwich Studios, John Navilliat
Running Lady Productions and Suzy's..., K. DaVette See
Sound'r, Andre Engelhardt
Stone Falcon Productions, Jun Falkenstein
War Technica, Gabe Achanzar
Saturday, September 11, 2010
6 days left to subscribe now
The jury of this years machinima contest has welcomed mr. Peter Greenaway to be head of jury.
Peter Greenaway has recognised machinima as a new and innovative way of filmmaking, and has been known to proclaim that the future of film lies in computergenerated filming.
To have him not only be part of our jury, but willing to hand out the awards and announce the winners, is a huge opportunity for machinimatographers. Real life feedback is a recognition for machinima and a serious sign of the brand entering the stage of international filmmaking.
To sign up for the 48HFPmachinima, which takes place coming weekend, 17 – 19 September 2010, go to http://www.48hourfilm.com/machinima
24 Teams can enter, and now only 6 slots left.
Our Judges
We are proud to announce our judges for the 2010 Machinima 48HFP. They are:
•Peter Greenaway, Filmmaker (8½ Women; The Pillow Book; The Cook, the Thief, His Wife & Her Lover)
•Dr. Tracy Harwood, Professor, The Institute of Creative Technologies, De Montfort University, Leicester, England
•Tom Jantol, Machinima Artist
•Phaylen Fairchild, Machinimatographer, blogger, and writer
The winning machinima will screen with the 48HFP City Winners at the next Filmapalooza at the Miami International Film Festival. Also, there are cash prizes for the winning films!
The 10 best films at Filmapalooza go to……....(drumroll)...Cannes.
Furthermore, we have found sponsors handing out software prizes to the teams, please go to our website for information: http://www.48hourfilm.com/machinima
So grab your chance to be a part of this years 48HFP machinima, lets write history and show the World what machinima can be.
For any information, please do not hesitate and contact me, I will be glad to help.
Lets make movies!
Chantal Harvey
Producer 48 Hour Film Project machinima
http://www.48hourfilm.com/machinima
email: machinima@48hourfilm.com
https://twitter.com/48hfpmachinima
http://mamachinima.blogspot.com/
Peter Greenaway has recognised machinima as a new and innovative way of filmmaking, and has been known to proclaim that the future of film lies in computergenerated filming.
To have him not only be part of our jury, but willing to hand out the awards and announce the winners, is a huge opportunity for machinimatographers. Real life feedback is a recognition for machinima and a serious sign of the brand entering the stage of international filmmaking.
To sign up for the 48HFPmachinima, which takes place coming weekend, 17 – 19 September 2010, go to http://www.48hourfilm.com/machinima
24 Teams can enter, and now only 6 slots left.
Our Judges
We are proud to announce our judges for the 2010 Machinima 48HFP. They are:
•Peter Greenaway, Filmmaker (8½ Women; The Pillow Book; The Cook, the Thief, His Wife & Her Lover)
•Dr. Tracy Harwood, Professor, The Institute of Creative Technologies, De Montfort University, Leicester, England
•Tom Jantol, Machinima Artist
•Phaylen Fairchild, Machinimatographer, blogger, and writer
The winning machinima will screen with the 48HFP City Winners at the next Filmapalooza at the Miami International Film Festival. Also, there are cash prizes for the winning films!
The 10 best films at Filmapalooza go to……....(drumroll)...Cannes.
Furthermore, we have found sponsors handing out software prizes to the teams, please go to our website for information: http://www.48hourfilm.com/machinima
So grab your chance to be a part of this years 48HFP machinima, lets write history and show the World what machinima can be.
For any information, please do not hesitate and contact me, I will be glad to help.
Lets make movies!
Chantal Harvey
Producer 48 Hour Film Project machinima
http://www.48hourfilm.com/machinima
email: machinima@48hourfilm.com
https://twitter.com/48hfpmachinima
http://mamachinima.blogspot.com/
Friday, September 10, 2010
7 days left till the 48 Hour Film Project machinima kickoff.
7 days left till the 48 Hour Film Project machinima kickoff.
If you were thinking about entering, do not wait any longer and go to http://www.48hourfilm.com/machinima and be part of the 48HFPmachinima 2010.

Yesterday, the outreach director of the 48HFP, mr. Ben Guaraldi aka Zaddik Zerbino – came to Second Life to inspect the 48HFP theater.
Soon after that, the instruction emails have been send out to the 17 teams that entered this years contest.
The teamleaders are now invited to do the paperwork, and to do a testupload to our servers. Let the buzz begin!!!
Teams are: (24 can enter, 7 slots available)
Grey Matter Films, Penumbra Carter
Ideajuice Studios, Peter Patterson
In Limbo, Rollo Girando
Insomaniacs, MATTHEW HAHN
Jewell Theatre, Fake Jewell
Kamachinima Production, Ariane Dupleich
M4SK 22, David Moss
Machinimart, Gabe Salgado
Machinimatrix, Hussayn Dabbous
Metaverse Television, Dousa Dragonash
Pookymedia, Pooky Amsterdam
Rediculous Sandwich Studios, John Navilliat
Running Lady Productions and Suzy's..., K. DaVette See
Sound'r, Andre Engelhardt
Stone Falcon Productions, Jun Falkenstein
team machine, Liz Solo
War Technica, Gabe Achanzar
Jury of the 48HFP machinima 2010 is:
Peter Greenaway - Filmmaker
Phaylen Fairchild – Machinimatographer, blogger, writer
Dr. Tracy Harwood- academic, 1st European Machinima Festival
Tom Jamtol – Film Director, author of Anymation
The screening of the films, after which the winners and awards are announced, will be September 23, 2010, at 1 pm and at 7 pm Pacific Time.
This spectacular event will be in SecondLife, in the UWA-Bosl Theater.
Press and guests are welcome to join the teams there, this link will bring you there.
Mr. Peter Greenaway, as head of jury, will speak to the teams and provide feedback, jury will be present at the event.
For information and for entering the contest go here.
Chantal Harvey
Machinima Producer 48 Hour Film Project
http://www.48hourfilm.com/machinima
machinima@48hourfilm.com
https://twitter.com/48hfpmachinima
http://mamachinima.blogspot.com/
If you were thinking about entering, do not wait any longer and go to http://www.48hourfilm.com/machinima and be part of the 48HFPmachinima 2010.

Yesterday, the outreach director of the 48HFP, mr. Ben Guaraldi aka Zaddik Zerbino – came to Second Life to inspect the 48HFP theater.
Soon after that, the instruction emails have been send out to the 17 teams that entered this years contest.
The teamleaders are now invited to do the paperwork, and to do a testupload to our servers. Let the buzz begin!!!
Teams are: (24 can enter, 7 slots available)
Grey Matter Films, Penumbra Carter
Ideajuice Studios, Peter Patterson
In Limbo, Rollo Girando
Insomaniacs, MATTHEW HAHN
Jewell Theatre, Fake Jewell
Kamachinima Production, Ariane Dupleich
M4SK 22, David Moss
Machinimart, Gabe Salgado
Machinimatrix, Hussayn Dabbous
Metaverse Television, Dousa Dragonash
Pookymedia, Pooky Amsterdam
Rediculous Sandwich Studios, John Navilliat
Running Lady Productions and Suzy's..., K. DaVette See
Sound'r, Andre Engelhardt
Stone Falcon Productions, Jun Falkenstein
team machine, Liz Solo
War Technica, Gabe Achanzar
Jury of the 48HFP machinima 2010 is:
Peter Greenaway - Filmmaker
Phaylen Fairchild – Machinimatographer, blogger, writer
Dr. Tracy Harwood- academic, 1st European Machinima Festival
Tom Jamtol – Film Director, author of Anymation
The screening of the films, after which the winners and awards are announced, will be September 23, 2010, at 1 pm and at 7 pm Pacific Time.
This spectacular event will be in SecondLife, in the UWA-Bosl Theater.
Press and guests are welcome to join the teams there, this link will bring you there.
Mr. Peter Greenaway, as head of jury, will speak to the teams and provide feedback, jury will be present at the event.
For information and for entering the contest go here.
Chantal Harvey
Machinima Producer 48 Hour Film Project
http://www.48hourfilm.com/machinima
machinima@48hourfilm.com
https://twitter.com/48hfpmachinima
http://mamachinima.blogspot.com/
Friday, August 27, 2010
Peter Greenaway in the 48HFP jury
I was pointed to a 2009 blog by Matt Kelland, about Peter Greenaway speaking at a conference about the future of cinema (clicks or Mortar, Newcastle).
quote: (for full blog, click HERE
"Cinema is brain-dead."
Those were his opening words, and from that moment on, I (-Matt Kelland) was hooked. He then proceeded to tell us why film wasn't the ultimate art form, and why cinemas were stupid. "You sit in the dark, and you're expected to remain completely still for two hours. You can't even do that when you're asleep... Film is a poor narrative medium - that's why it always goes to the bookshop for inspiration... We are still using the cinematic language developed in the 20th century to tell stories in the 21st century..." And so on.
He talked a lot about the four cinematic tyrannies:
The tyranny of text: most cinema is still basically text. It's not a visual medium. It's a way of carrying the written word by other means.
The tyranny of the frame: seeing everything on a frame is completely artificial. Film should be more experiential.
The tyranny of actors: "an actor is just someone who is trained to pretend they're not being watched".
The tyranny of the camera: you're not seeing something real, you're seeing something captured by a machine.
Okay, hold it right there, Peter. No text I can give you (Koyaanisqatsi springs to mind), and no actors I can get my head around, but how the hell do you have a film with no frame and no camera?
Well, machinima people, brace yourselves...
"The future of film is in Second Life."
Yup, he really said that. What Greenaway envisages, in part, is an art form where non-linear film happens in a shared virtual space, in real time, with a blurring between creators and participants. The film is created and viewed simultaneously. The cinema is also the stage, the editing room, the sound stage. The frame is where we choose to put it.
quote: (for full blog, click HERE
"Cinema is brain-dead."
Those were his opening words, and from that moment on, I (-Matt Kelland) was hooked. He then proceeded to tell us why film wasn't the ultimate art form, and why cinemas were stupid. "You sit in the dark, and you're expected to remain completely still for two hours. You can't even do that when you're asleep... Film is a poor narrative medium - that's why it always goes to the bookshop for inspiration... We are still using the cinematic language developed in the 20th century to tell stories in the 21st century..." And so on.
He talked a lot about the four cinematic tyrannies:
The tyranny of text: most cinema is still basically text. It's not a visual medium. It's a way of carrying the written word by other means.
The tyranny of the frame: seeing everything on a frame is completely artificial. Film should be more experiential.
The tyranny of actors: "an actor is just someone who is trained to pretend they're not being watched".
The tyranny of the camera: you're not seeing something real, you're seeing something captured by a machine.
Okay, hold it right there, Peter. No text I can give you (Koyaanisqatsi springs to mind), and no actors I can get my head around, but how the hell do you have a film with no frame and no camera?
Well, machinima people, brace yourselves...
"The future of film is in Second Life."
Yup, he really said that. What Greenaway envisages, in part, is an art form where non-linear film happens in a shared virtual space, in real time, with a blurring between creators and participants. The film is created and viewed simultaneously. The cinema is also the stage, the editing room, the sound stage. The frame is where we choose to put it.
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